Watching Russell Kane on stage is like setting light to a box of fireworks: you get a constant stream of explosions, you never quite know where they’ll end up, but you can’t help getting excited watching the bangs.
Explore MoreSending someone to review Daniel Kitson is unfair.
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I’ve never been to a gig at the Playhouse before with a police presence, but Richard Herring has stirred the ire of Christians with this revival of his first one-man show.
Explore MoreMark Steel hadn’t quite expected Norwich. The comedian’s latest show comprises a relaxed journey through the UK, exploring the quirks of each location. And it seems what marks out Norwich is a tendency to throw him off guard, but also to goad the best out of him.
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A long-lost Shakespeare play or a false claim on the Bard’s name?
Explore MoreBunny deserves something better than this review.
Explore MoreIt’s been scaring theatregoers in the West End for 21 years, but has the latest transfer of The Woman In Black kept its edge?
Explore MoreBurlesque was back in Norwich for the first day of the 2010 Norfolk and Norwich Festival – and it was as camp as a row of Spiegeltents.
Explore MoreHow do you judge a tribute act, and particularly one that impersonates perhaps the greatest artist of the 20th century?
Explore MoreA strange by-product of laws aimed at cowboy builders is that psychics can no longer claim to be genuine – they have to advertise as entertainment only.
Explore MoreDara Ó Briain talks as quickly as he thinks – which is fast. Coupled with his Irish brogue, that can occasionally make it difficult to follow his jokes but one thing that is impossible to miss is that he is fantastically funny.
Explore MoreHappiness is Russell Howard.
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