Love drives people to strange actions in this accomplished performance, at the Maddermarket Theatre, of a rarely seen Agatha Christie adaptation.
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This show did not have an auspicious start – six performers milling around the stage, sharing in-jokes and nattering away – but appearances can be deceptive.
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The sassy tale of Elle Wood and her attempt to prove herself gets the full musical treatment in this latest production of Legally Blonde by Threshold Theatre Company.
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Hailed in the Norfolk and Norwich Festival programme as “the next Amy Winehouse” and with her work sampled by Jay-Z, Hannah Williams arrived with a weight of expectation.
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This was a show that promised to push magic in new directions: based on this evidence, I think I’d rather they took a step back.
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This special tribute show saw jazz and R&B vocalist Sarah Jane Morris exploring the songs of Scottish folk singer songwriter John Martyn.
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Sunday is supposed to be a day of rest, but other than a tardy start the Renegade Brass Band were anything but sleepy for this finale of the first full Norfolk & Norwich Festival week.
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All is not what it seems in this glamorous and enchanting show, that offers a gentle and lulling mix of humour and beauty.
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Queuing up in the rain is rarely an auspicious start to a gig, but the insistent rhythms of The Turbans meant it didn’t take long to get dry once the Spiegeltent started shaking.
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The concept of Reverse is simple: walk backwards around the city, getting a new view on Norwich. The outcome is something much more profound.
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From the first tentative move of the opening piece to the concluding strut of the third and final dance, it is clear Boy Blue are an exceptionally talented company.
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This performance is certainly in a fitting venue, with the Norfolk & Norwich Festival opening the door to the normally hidden former court room in the Shirehall, the city’s centre of justice for 166 years.
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This varied and engaging showcase from one of the country’s leading ballet schools is a treat for ballet newbies and aficionados alike.
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It takes some guts to mess with The Beatles, and it takes some serious panache to pull it off.
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There can be a risk that period pieces wrenched from their context lose their power. That isn’t the case with W Somerset Maugham’s For Services Rendered.
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