Maisie Adam has called her debut tour Buzzed because she has lots to be buzzed about. Her relationship with her fiancé, her excitement at England’s victory in the Women’s Euros and lastly but by absolutely no means least, the way her comedy career has taken off.
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This 19th century Gothic novel has been the subject of many adaptations, including an Andrew Lloyd Webber musical and several film, TV, and theatre adaptations.
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Rob Madge really wants all eyes on them – and it’s pretty impossible not to be captivated in this audacious bullet train of show.
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For 25 years the Nimmo Twins have been poking fun at Norfolk life – and Norfolk keeps laughing back.
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Dylan Thomas’ famous radio play poses a choice when mounting a stage production: keep things simple and stick to the poetry, or attempt to inject some visual flair and risk overpowering the words.
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If there’s a sequin shortage in Norfolk, I know where to point the finger: Sound Ideas latest production has an avalanche of sparkle, confetti, and everything glittery.
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Don’t be misled by the title or the premise: this is a sharply funny and deeply dark comedy that contains plenty of laughs, from easy jokes to some more uncomfortable barbs.
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The little heard tale of the ‘Herring Girls’ is the topic for this outdoor community theatre show from Crude Apache, now seeing the light of day after a Covid-enforced delay.
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Some times asking “what have I just seen?” can be a good thing. This is one of those times.
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Two of Norwich’s amateur theatres have teamed up for a fundraising event in aid of the Ukraine Humanitarian Appeal.
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What should be a historical warning about the futility of war feels all to current in the present circumstances, as Theatre Royal Norwich hosts this reimagined version of Michael Morpugo’s Private Peaceful.
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Norwich agitprop theatre group The Common Lot have returned with another vibrant outdoor show, this time focusing on the history of English protest songs.
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Secrets and lies swirl around like the ocean in this brooding, prize-winning play about the darkness a community will tolerate in its midst.
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The very definition of an ensemble piece, Threshold Theatre Company’s production of A Chorus Line showcases the talents of a strong cast of upcoming musical theatre stars.
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As if the punning title wasn’t enough, Richard Mainwaring’s idiosyncratic tour through the world of music and frequency brought plenty of entertainment to the City of Literature strand of this year’s Norfolk and Norwich Festival.
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