The rivalry between two of the most famous names in early Hollywood is at the heart of this engaging double-hander play.
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Tim Burton’s cult classic film becomes a lively, funny, and visually stunning modern ballet in this revival of Matthew Bourne’s reimagining of Edward Scissorhands.
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It’s sometimes called the greatest story ever told – and this is a pretty rumbunctious telling of it.
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Be prepared for rawness in this heartfelt musical – and not just because of the nudity at the climax of this stage version of the well-known 2003 film.
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Donkeeeey! The ass is back, and so are Shrek and Princess Fiona in this fun family musical based on the 2001 film that proved it’s not easy being green.
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The first four seasons of the hugely popular Netflix 80s science fiction horror are ruthlessly parodied in this joyous pastiche musical.
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What makes a hoarder hoard? This surreal and bold developing musical takes a tentative and affectionate peek inside the head of a compulsive collector, with surprisingly funny results.
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Brazil’s highly regarded São Paulo Dance Company have brought their inaugural UK and Ireland tour to a close in Norwich with a programme of three highly controlled and expertly executed pieces.
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War is never as far from us as might think, and this short run production reminds us of that in two ways.
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Legendary gangster couple Clyde Barrow and Bonnie Parker are at the heart of this bold musical biography, now on a UK tour after two West End runs.
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Protest movements from Black Lives Matter to climate change, teacher recruitment, and the global rise of antibiotic resistance are among the topics being discussed at this year’s Cambridge Festival.
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A new show about hoarding, memories, and music is coming to Norwich as part of a four-theatre partnership to develop new productions by bringing them to the public in their early stages.
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The links between the generations and our desire to be remembered are explored in this charming and gentle play.
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A new Cuban-inspired twist on the Nutcracker ballet is to launch its national tour in Norwich in November.
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When one of the central characters in a play is a arrogant, self-important critic, its very hard to review it without feeling just a little self-conscious.
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