Pills and thrills a-plenty pepper this
tale of the violent underbelly of 1950s sleazy Soho clubland, told with verve
and style.
This antiquely modern take on the story
of one of East Anglia’s most famous women is a bold and engaging production.
Just a little late for Halloween, Kill
The Beast brought their spooky film farce to Norwich – but it was no horror
show.
This revival of Oscar Wilde’s 1893 play
has a surprising resonance and relevance that goes well beyond its classic
drawing room wit.
If you’re going to mess with Shakespeare,
you need to be sure of your footing.
Shakespeare can sometimes feel a little distant and predictable – they all get married, or they all die, and in between we have some tricky language – but Lucy Phelps’ stunningly energetic performance means this time we see it all anew.
Explore More
Fast establishing a name for herself in Americana circles, Norfolk’s Lucy Grubb gave a stand-out performance at Norwich Arts Centre.
Explore More
What’s the German word for trading off past glories and not being quite as funny as you used to be?
Explore More
In what is a heavily-contested field, The
Tempest is one of Shakespeare’s craziest plays.
This startling coming of age story has a fittingly unconventional production that captivates and develops the narrative in clever and surprising ways.
Explore More
The set of this adaptation of
Charlotte Brontë’s classic novel is dominated by the looming presence of the
splintered rafters that are the endpoint of the tale’s twisting plot.
This stylish production of the classic Hitchcock film runs fine until it hits a dramatic moment – and then it gets derailed and the tension vanishes.
Explore More
Singer Kathryn Williams brought together her musical buddies, such as members of the Magic Numbers, at the Union Chapel in London to celebrate songwriting with a special concert.
Explore More
Cambridge Folk Festival rarely disappoints and this year saw winning performances from legends Graham Nash, Ralph McTell and Richard Thompson as well as up and coming performers such as Kerri Watt, Lucy Grubb and Annie Dressner.
Explore More
Despite a mafia-themed opening this
production of Shakespeare’s comedy owes more stylistically to a Hitchcock
thriller than the Godfather.