There can’t be many bands that count a tap dancer as one of their percussionists, but that’s not even the most extraordinary thing about the Hot Sardines.
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Songs of death and despair can be a little spine-chilling at the best of times; combined with a slighty nippy Spiegeltent it could be quite hard to find some respite.
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Norwich was in the mood to party tonight, and the House Gospel Choir was more than happy to provide the soundtrack.
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Norfolk’s Voice Project has tackled one of its biggest subjects yet for this year’s contribution to the Norfolk and Norwich Festival: space.
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What drives an 87-year-old man to spend two hours on a Norwich stage? For Sir Bruce Forsyth, the answer seems to be a genuine love of entertaining.
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If the Spiegeltent hadn’t been standing for a week you might have worried for its structural integrity, such was the thumping, stamping raucous reception afforded to Molotov Jukebox.
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I have a new infatuation, and her name is Camille O’Sullivan.
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Could you look your teenage self in the eye and say you stayed true to yourself?
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Trends come and go, but Ewan Wardrop’s magical one-man George Formby biopic show is proof that talent – not topic – is the key to entertainment.
Explore MoreThe faithful definitely answered the call for this now traditional Norwich Christmas event, reaching its fifth year.
Explore MoreThis was Norfolk and Norwich festival-goers’ chance to join the Frisky and Mannish School of Pop – but what did we learn?
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When their cheeriest song is one about crucifixion, you know you’ve stumbled upon a rather odd band.
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The Spiegeltent was made for daring, cheeky, cabaret – and Les Enfants Perdus was made for the Spiegeltent.
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This is the second year in Norwich for How Like An Angel, and it continues to be a startling and impressive spectacle.
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There is an inscription in one of the chapels at Norwich Cathedral that reads “except for the still part there would be no dance”.
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