Irish rock band Kodaline took to the stage at The Nick Rayns LCR in Norwich warming autumn-chilled hearts with a mix of emotional love ballads and lively upbeat tunes.
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Fast establishing a name for herself in Americana circles, Norfolk’s Lucy Grubb gave a stand-out performance at Norwich Arts Centre.
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Singer Kathryn Williams brought together her musical buddies, such as members of the Magic Numbers, at the Union Chapel in London to celebrate songwriting with a special concert.
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Cambridge Folk Festival rarely disappoints and this year saw winning performances from legends Graham Nash, Ralph McTell and Richard Thompson as well as up and coming performers such as Kerri Watt, Lucy Grubb and Annie Dressner.
Explore MoreTwo of the 20th century’s greatest rock and roll stars were brought back to life at this thoroughly toe-tapping performance.
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This show did not have an auspicious start – six performers milling around the stage, sharing in-jokes and nattering away – but appearances can be deceptive.
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Hailed in the Norfolk and Norwich Festival programme as “the next Amy Winehouse” and with her work sampled by Jay-Z, Hannah Williams arrived with a weight of expectation.
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This special tribute show saw jazz and R&B vocalist Sarah Jane Morris exploring the songs of Scottish folk singer songwriter John Martyn.
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Sunday is supposed to be a day of rest, but other than a tardy start the Renegade Brass Band were anything but sleepy for this finale of the first full Norfolk & Norwich Festival week.
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Queuing up in the rain is rarely an auspicious start to a gig, but the insistent rhythms of The Turbans meant it didn’t take long to get dry once the Spiegeltent started shaking.
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This musical romp through the evolution
of Frankie Valli and the Four Seasons is packed with some of the biggest hits
of the 1960s and 70s.
The ringing out of Cathedral bells signalled the beginning of the main segment of this latest Voice Project performance.
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It wasn’t until she got the audience on their feet that Deva Mahal really came alive.
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Skulking on stage in his skinny jeans,
white t-shirt, and fulsome beard, David McAlmont cuts an unprepossessing
figure.
There’s one word that overwhelming sums up the comedy of The Horne Section: daft.
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