The dark world of teenage drug dealing is brought into sharp relief in this fast moving and energetic production.
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A love triangle, murder, and intrigue snake their way across the stage in this gorgeously presented adaptation of Agatha Christie’s thriller.
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Silliness abounds in this first extended outing for Mona Ravona, Norwich’s most effective (and possibly only) film noir private detective.
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There aren’t many perfect plays – but this comes achingly close. Aaron Sorkin’s adaptation of Harper Lee’s classic parable on racism and the struggle for human decency powerfully translates the story for modern audiences.
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Six woman are sentenced to transportation to Australia in this gritty tale of 19th century justice, set entirely within the ship that will deliver their fate.
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The confident use of chicanery is praised by one of the characters in Faith Healer – and in the form of great acting, plenty of it is on show here.
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This ribald romp is a perfectly pitched adaptation of the classic TV series, fully aware of its own absurdity and offering audiences a murderously good time.
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There’s no risk that Rupert Goold’s production of Hamlet for the Royal Shakespeare Company might “lose the name of action”: it comes in at a rapid-fire two and a half hours, with the events of the play condensed into just one evening.
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The classic socialist novel is given a partial reboot in this blunt tale of the workers and the wealthy.
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Reputations can be something of a millstone: if you only vaguely know it, Godot is the play in which nothing happens, twice. But that just isn’t true.
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Football is often about nostalgia – the legends, the curses, the inexhaustible supply of portentous stats – and James Graham’s Dear England is a time capsule of eight years of the national game.
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Ghosts can’t be real – can they? Head and heart differ in this smart, modern ghost story that is becoming a familiar theatre fixture.
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Sort your sea legs and get ready to set sail for a slick and speedy stage version of pirate classic Treasure Island.
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There can’t be many pantos where the audience singalong is to Girly Girl Productions’ 10 Drunk Cigarettes – but if that’s a reference you recognise, you’ll be in your element here.
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Get ready to have a ball: Norwich Theatre’s 2025 panto is a fizzing cocktail of fun, colour, and groan-some dad jokes. In other words, perfect.
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