This is a show of unusually mixed
emotions: Richard Alston has just been knighted and his eponymous company has
reached its 25th year.
This showcase from a talented young company
proved something of an embarrassment of riches.
Verona is anything but fair in this dark and challenging reimagining of the tale of two young lovers.
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All is not what it seems in this glamorous and enchanting show, that offers a gentle and lulling mix of humour and beauty.
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From the first tentative move of the opening piece to the concluding strut of the third and final dance, it is clear Boy Blue are an exceptionally talented company.
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This varied and engaging showcase from one of the country’s leading ballet schools is a treat for ballet newbies and aficionados alike.
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It takes some guts to mess with The Beatles, and it takes some serious panache to pull it off.
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There has been a drastic evolution in the Russian State Ballet of Siberia’s touring performances.
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From the very start of Hofesh Shechter’s return to the Norfolk and Norwich Festival, with a blatant nod to the monolith and apes of 2001 Space Odyssey, we a bombarded with a dense series of cultural references.
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A man’s struggle with dementia was the canvas for this astounding play without (many) words: a rich, adventurous, and deeply impressive production where every movement was deliberate and delicious.
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This may be Cinders, but there is no
pumpkin in sight – the fairy godmother is a male angel, the carriage a
motorbike and sidecar, and the ball is at the Cafe de Paris in the midst of the
London Blitz.
This sumptuous new ballet focuses on
Italy’s famous romancer, seeking to recast him as a man as much of letters and
emotion as of energetic rutting.
Based loosely on the Powell and Pressburger classic film, this reimagining of the reimagined Hans Christian Andersen fairytale is a typically stylish Matthew Bourne affair.
Explore MoreCross dressing, silly costumes, and even
dafter slapstick – is this another Theatre Royal pantomime? Oh no it is isn’t!
It’s The Russian State Ballet of Siberia’s take on one of the oldest
established ballets.
As with most fairytales there are some
mixed messages in this Northern Ballet version of the story of the vainglorious
prince turned to a monster by a slighted fairy.