Can Robin Hood outwit the dastardly Sheriff of Nottingham, and win the heart of Maid Marion to boot? Oh no, he won’t! Oh yes, he will!
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Sort your sea legs and get ready to set sail for a slick and speedy stage version of pirate classic Treasure Island.
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Cantering out riding Rudolph, Adam Riches storms the audience at the start of this show, and the torrent never subsides.
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There can’t be many pantos where the audience singalong is to Girly Girl Productions’ 10 Drunk Cigarettes – but if that’s a reference you recognise, you’ll be in your element here.
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Get ready to have a ball: Norwich Theatre’s 2025 panto is a fizzing cocktail of fun, colour, and groan-some dad jokes. In other words, perfect.
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Teenage kicks are writ large and loud in this boisterous, creative, and at times touching tale of two Luton lads and their complex relationship with home, in all its stripes.
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Machiavellian politics meets military might in this bold and modernising reimagining of Shakespeare’s Roman drama.
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The Oxford detective was a mainstay of British TV for more than a decade, and now 25 years on Morse has returned in a new story written specially for stage.
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It’s one of the country’s oldest stories – the mysterious wizard that put King Arthur on the throne – and Merlin’s early life is given a unique twist in this ballet revival.
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This story of a boy and his horse, separated by war, is a visually spectacular piece of storytelling – dominated by intricate and impressive puppeteering.
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The tour title might suggest a laddie show but Carl Donnelly’s wild days are (mostly) passed: this is more like a fun pub catch-up with an old friend.
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Much is unseen and unsaid in this all-female drama of death, morality, and politics.
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These are troubled times, says Josie Long in her new touring show – but things have long been weird, and perhaps we should use that as an excuse to live and to celebrate.
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This series of snapshots through a couple’s life together is a softly-delivered sucker punch, packed with emotion and unexpected twists.
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Shakespeare’s most ponderous play serves as inspiration for five short performances in this joint community project from Norwich Theatre and the Royal Shakespeare Company.
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