A love triangle, murder, and intrigue snake their way across the stage in this gorgeously presented adaptation of Agatha Christie’s thriller.
While the core story remains the same, Ken Ludwig’s adaptation excises several characters and, other than an unscheduled stop at the British Museum, keeps the action entirely on-ship.
This allows for Mike Britton’s design to take centre stage, with a split-level deck representing the cruise ship. Partnered with skilful lighting from Oliver Fenwick this can take us to the waters edge, or suggest creepy goings on in the cabins.
The rewrite does make for a slightly unlikely set up, but Christie’s complex plotting often turns on rather suspicious happenchance, and it’s worth the reward to give the initial scenario a pass.
Instead revel in some wonderful performances, especially Libby Alexandra-Cooper in a stunning professional debut as doomed heiress Linnet Ridgeway. She brings a haunted glamour to the role, smiling outwardly while her eyes and hand gestures hint at darker undertones.
Mark Hadfield is a fun watch as Hercule Poirot, emphasising the comic aspects of the Belgian detective without making him ridiculous.
More obviously outré are Terence Wilton as ageing thesp Septimus Troy and (on opening night in Norwich) Nadia Shash as chameleon she-wolf Salome Otterbourne – both have fun with their slightly ridiculous characters. More paired-down is the sweet coupling of Otterbourne’s daughter Rosalie (Camilla Anvar) and newly qualified doctor Ramses Praed (Nicholas Prasad). It’s a lovely contrast.
Lucy Bailey’s direction is slick and engaging, ensuring the rest of the 14-strong cast also contribute to the fast-moving story. The only glitch is a slightly unconvincing fight scene, but it is over in a flash.
The production reunites many of the creatives from 2024’s touring show of Murder On The Orient Express, and it’s a smart decision not to mess with success.
It’s a seductive, atmospheric version of a cracking Christie tale. All aboard!
- Death On The Nile is at Norwich Theatre Royal until 9 May 2026, then touring including 12-16 May at Cambridge Arts Theatre.
