In the story, Priscilla is a battered bus – but this production of Priscilla is a juggernaut of sparkles, songs, and stunning visuals.
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Packed with some of Irving Berlin’s finest songs, a fluffy romantic comedy storyline, and the opportunity for more sequins and dance than you can shake a black cane at Top Hat should be a sparkling affair.
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This ribald romp is a perfectly pitched adaptation of the classic TV series, fully aware of its own absurdity and offering audiences a murderously good time.
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There’s no risk that Rupert Goold’s production of Hamlet for the Royal Shakespeare Company might “lose the name of action”: it comes in at a rapid-fire two and a half hours, with the events of the play condensed into just one evening.
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Irish comedian Vittorio Angelone came in to his double bill of Norwich Playhouse shows with two unexpected items in the bagging area: a live TV bust up with sword-carrier extraordinaire Penny Mordaunt and a hairline fracture of his ankle.
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The beats and the birdsong are constant threads in this lyrical memoir from performance poet Jenny Foulds.
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The classic socialist novel is given a partial reboot in this blunt tale of the workers and the wealthy.
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Set to the backdrop of the 2001 foot and mouth crisis, And Then Come The Nightjars is the latest in-house production at Theatre Royal Bury St Edmunds.
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