An imposing group of hooded figures clamber from the auditorium on to the stage in the first of this double bill of performances by Ballet BC.
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A nature walk and an unsolved disappearance collide in this mystical and mysterious new production set and performed on the edge of the city centre.
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A strange and disturbing dystopian world unfurls in this gripping and unsettling thriller.
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In the stand-up set that follows her main show, Elf Lyons tells of the confusion of an Australian stag do that attended Horses on the basis of a horny mis-hearing of its name.
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I have a new poetry crush, and her name is Ella Frears.
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Pity poor audience member Kai: he tried his best to outfox Alex McAleer, but he never stood a chance.
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This new dance work offers a mesmerising combination of movement and myth, inspired by the ancient Sufi story of a nightingale held in captivity.
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There was a moment before Rachel Long’s penultimate poem that she took a beat, and you could almost hear the calculation being made: should I do this one?
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The delight is in the detail in this stirring and emotional ballet adaptation of Brontë’s Jane Eyre.
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Two mysterious and surreal stories are captivatingly told in this double-header performance by The Paper Cinema at Norwich Puppet Theatre.
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This is perfect: from start to finish Vincent Gambini’s Close-Up one-on-one show is a extravagantly simple slice of, well, magic.
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As part of her between songs chat Nabihah Iqbal mentioned how impressed she was that Norwich has (or had) 52 churches – so hopefully she’ll appreciate this description of her gig being something of a curate’s egg.
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If there was ever any doubt rules were made to be broken, Show Pony proves the point.
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It’s one thing to have heroes – it’s quite another to write an album of songs celebrating them.
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This year’s Norfolk and Norwich Festival circus centerpiece takes a different tack, with a mock reality show to find the “face of circus”.
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