Two sets of young lovers get caught up in an elaborate pretence in this 130-year old farce that – pre-decimal currency references asides – mostly holds up to modern scrutiny.
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From Shakespeare to South London council estate, Norwich’s Sewell Barn Theatre has announced its new programme of plays.
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The work of a poet who perished after being transported to Auschwitz inspires a unique event of music this autumn.
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The story of punishment, redemption, and rebellion has become a worldwide phenomenon since its debut in Paris in 1980, and this week’s run in Norwich shows why.
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An imposing group of hooded figures clamber from the auditorium on to the stage in the first of this double bill of performances by Ballet BC.
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A nature walk and an unsolved disappearance collide in this mystical and mysterious new production set and performed on the edge of the city centre.
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A strange and disturbing dystopian world unfurls in this gripping and unsettling thriller.
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In the stand-up set that follows her main show, Elf Lyons tells of the confusion of an Australian stag do that attended Horses on the basis of a horny mis-hearing of its name.
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I have a new poetry crush, and her name is Ella Frears.
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Pity poor audience member Kai: he tried his best to outfox Alex McAleer, but he never stood a chance.
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This new dance work offers a mesmerising combination of movement and myth, inspired by the ancient Sufi story of a nightingale held in captivity.
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There was a moment before Rachel Long’s penultimate poem that she took a beat, and you could almost hear the calculation being made: should I do this one?
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The delight is in the detail in this stirring and emotional ballet adaptation of Brontë’s Jane Eyre.
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Two mysterious and surreal stories are captivatingly told in this double-header performance by The Paper Cinema at Norwich Puppet Theatre.
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This is perfect: from start to finish Vincent Gambini’s Close-Up one-on-one show is a extravagantly simple slice of, well, magic.
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